\I[A Partnership - Some1&Morrow|By Frame|Section: The Scene of Ours]
\F2\4\MA Partnership - Some1&Morrow
\F1
\F1\2This is, more or less, a try to make another interview with a rather new cooperation team, Some1&Morrow of C-Lous and Razor 1911. Be pleased to meet them!
\C[ClipArts/pinnen.Chnk]
\2
\F1\2To start with, Morrow is not the same person as Prime, who left the scene about year or so ago.
\3- Former groups\2
SOME1\2: Nation, Scoopex, Circle(!), Hare-Krishna, Illusion, Razor 1911, Ica handlarna (sorry, but I can't remember ALL my former groups).
MORROW\2: Rebels, Razor 1911... (Quality, not quantity.)
\3- Famous tunes 1995\2: Session, Celestial, Revelation 1995, Broder Jakob, Journey in my head, Mindbender 2... and too many chip-tunes.
\3Both of you have been around on the scene for a while and released quite some stuff, but you have never been so popular and well-known as you are right now. How come?\2
- We have been quite laid back until now. We made lots of music but not very much was released. We didn't care very much either so it was our fault. In Razor we always got in the shadow of the hyper-mega-ultra-star Lizardpling. We made our music but nothing happened. In the end of 1995 things started to change. You could listen to our tunes here, there and everywhere. People suddenly opened their eyes (ears) for us and here we are, in the middle of the success.
\3Why do you think people like your music? What's your strength?\2
- I (Morrow) think that it's our different styles. We have released everything from acid jazz and trance to Orup and trip hop. There is something for everyone! That's our strength... Why we make so different kinds of tunes is probably because we are two (Some1 + Morrow = 2). We continue an old Swedish custom with powerful teams like the never-to-be-forgotten Tip & Mantronix, and we try to be of the same class as they are.
\3As Some1 prefers to make fast tunes and Morrow mostly like to compose slow tunes, is there any noticeble distinction between styles in your modules?\2
- First of all, I (Some1) want to make one thing straight, breakbeat sucks! I (Morrow) think you can hear in the tunes that both of us have contributed with parts. Slow parts and fast parts, that's why our music sound so strange. And as you say you can see a tendency that I do most work on our "mag-alike-tunes" and Some1 works with the heavier stuff.
\3Naturally, there must be problems assigned to cooperating. In what way?\2
- All our efforts to sit down and compose always end up the same way: Instead of making music we go wild with different sex games all night long. This is a rather big problem because we never get any tunes finished.
\3Then, what is really good with cooperating when making modules?\2
- There's nothing good with it. Except that if you don't feel like composing, you can always let your "partner" start, make and/or finish the tune... (Hehe.)
\3How do you solve the problem with different ideas?\2
- Eh? We sometimes (read always) have different ideas, but we can't see why you call that a problem. Different ideas only lead to a lot of "different" tunes. Although a module started by your friend is sometimes impossible to continue, all due to lack of "sanity" in the style... (Hi mom! /S1)
\3How come that you first started to cooperate?\2
- Why don't you rent (or why not see it on cinema): Ostkaka the movie. (Oscarsbelonad...)
